the voice of mona lisa


Looks like somebody beat me to it. I bet if she could talk though, she’d be telling us all about her favorite soda.

So recently I read this article. I understand that you all might be in a hurry, but you might want to at least peruse the article, because the entire review is sort of based on it.

Or…. I’ll summarize. It seems that some forensic scientist in Japan, for whatever reason, was commissioned to determine what the person who was the model for the Mona Lisa would’ve sounded like.

Probably having spent at the very least hundreds of thousands of dollars to do this, apparently for no other reason than to say “We did it! BOOYA JIM!” even though nobody really ever questioned their ability, this seems like the most collossal waste of time since I sat through “Big Bully“.

Maybe it was all a publicity stunt for the DaVinci Code, considering the article doesn’t actually say who approached the Japanese, or maybe it just was a pull for the scientists to win another “Ig Nobel” Prize, awarded for research that “makes people laugh, then think”. Just the idea of an award like that sort of makes me a little upset. I bet by looking at the list of past winners, you’d be able to see some of the biggest misuses of resources possible. I mean, just look at what these Japanese people won the award for doing a previous time:”for promoting harmony between species by inventing the Bow-Lingual, a dog-to-human interpretation device”.

I really don’t know what’s worse, that somebody actually spent money on a scientific process to create something that can never be proven or disproven, or that the people in charge actually thought that the public would care enough for it to not be a waste of time. Granted, I don’t know much about modern Japanese culture, and I’m not a renaissance art enthusiast, and those are probably the people that it would be aimed at the most (hence the reason why nobody here in the U.S. has made a huge deal over this “breakthrough”), so I could just be missing the boat. I suppose there is the whole “science for the sake of science” thing, like trying to determine if there ever was life on Mars, but there are some things that are more weighty than others.

To me though, something like this has little to no easily accessible evidence to prove that it’s actually correct. Sure, these scienticians can make all sorts of claims about how big her vocal chords were and what her voice-related anatomy was like, but there are so many “X-Factors” at work here, like “what if she was deaf?”, or “what if she smoked?” (although that’s probably highly unlikely, but some sort of outside force on her voice could be possible), “what if she was from some other area not in Italy and was visiting, and didn’t even speak Italian?” Or, here’s one to make you think, “what if she wasn’t a real person at all?” Maybe I’m just a cynic, but I don’t see the point in hypothesizing about a topic that is so insignificant to our everyday lives and can’t be shown to be fact anyway. That’s like saying that if Bagwell or Biggio hadn’t hit that game-winning ninth inning homerun against the Phillies last year that Philadelphia would’ve made the playoffs, and gone to the World Series, or if Roethlisberger hadn’t made that tackle at the end of the Indy-Pittsburgh game last year that Manning would be wearing a Superbowl ring right now. These events are in the past, and, at least with the first one, highly unlikely. In addition, it’s all speculation and therefore useless to those of us but the dreamers. When zombies roam the earth and Mona Lisa wakes up from her grave, maybe then we’ll get a better insight into how she speaks, but even then, she’ll probably only moan, “ZOMMMMBIIEEEE“, probably in her mystery Italian dialect, and we’ll still be as clueless as we are now.

But really, who am I to argue with the people who mastered the canine language?

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I’ll give them one whole star for the amount of work that they put in, but I view it as a wasted effort, because there’ll never be any way to prove that they’re right, and nobody will ever care.

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