Time for a mini-review! (before I take on my semi-idol, Roger Ebert later in the week)
So, we were playing football the day after Thanksgiving. There were about ten people there, which is a pleasantly complete number, as the field can be reasonably-sized, and there aren’t so many people that any serious medical emergencies ensue. All of the Goletz siblings were there: Greg, Dave, and Tim. The significance of that is Dave and Tim are no longer 6 years old. They’re both in/recently in high school and more importantly, quite good at football. So good in fact that after a loose ball (that actually wasn’t technically a loose ball, but I guess I yelled “pick it up!” with enough confidence that someone [Adam] actually thought it was a fumble and not an incomplete [short] pass), that Mr. Tim Goletz completely clobbered the “fumble” recoverer after he was already on the ground. Just like in the NFL.
All of this lead to the following conversation between Nate and me:
Nate: That’s weird, I don’t hear any Futurama quotes.
Me: What about anything from The Critic?
Nate: Nope. -Wait- Do I hear a Family Guy reference?
Me: No, I think that’s just some leaves rustling.
Nate: Yeah, it looks like Tim knocked the wind out of Adam.
Me: Ah. That’s why I don’t feel like I’m in the TV aisle of a DVD store.
Knocking the Wind Out of Adam receives three-and-a-half stars due to the change in the conversational landscape. It can’t be rated too highly because the condition (though temporary) is incredibly uncomfortable and is one of the more serious of the “un-serious” conditions. In all actuality, Adam didn’t have any TV quotes that day, but knocking the wind out of him would’ve changed that if he had. In even more actuality, I never had that conversation with Nate. But I could have.
5 responses to “Knocking the Wind Out of Adam”
True, the review does not get the seal of approval. But, fear not. After I finally post a review (when and what about…I don’t know), I get the feeling that you will have a chance to revise your review.
Ass.
We don’t revise here at emptybookshelf.com. We just edit after it’s already been posted. That’s different. Duh.
[…] Okay, I’ll be honest…I’ve been slacking it on this website. Many (meaning the eight dedicated readers we have) may remember when Nate even semi-demanded me to start posting. Maybe it was because I was a little too proud (probably not), but mostly it was due to time constraints and the simple fact that I have very little occurring in my life that I consider worthy of rating or that I could make it remotely entertaining. Now that I’ve graced the pages of this website, does this mean that I’ve overcome these obstacles? Absolutely not. Unfortunately for all of us, this probably won’t stop any of our readers from continuing. So, now that I’ve managed to take advantage of what little downtime is so rarely presented to me during my endless pursuit of a respectable career, what have I chosen to review? I knew my topic had to be gripping, with bouts of violence, wit, romance, all while being constantly intelligent and entertaining. Of course, I threw all of these notions out the window when Dan decided to yet again pansy-fy me publicly (again, having readers in the single digits makes it no more public than usual, but it’s the principle that the public could eventually read it). So gather ’round as Adam recounts his version of the story. […]
[…] November 30th, 2006 Dan Though this was meant to correspond with Nate’s review of the first 100 reviews, schedules and, uh, not-feeling-like-it-at-the-moment-because-it’s-a-bit-daunting-of-a-task-itis, has delayed this “One Year Anniversary” review and pushed it into 13/14 months, but that’s fine by me. WARNING: Intense self-congratulation ahead. Nate’s recap covered things in a time-based manner, in fact you could almost call it a “temporal” recap. (HA!), so I’ll look at things a step back or so. Basically, this chart says that aside from people that randomly come across the site via search engines, a large portion of our readership seems to check back pretty regularly. When I had run the idea of a website by Nate, it was presented simply in a “wouldn’t it be funny if we reviewed anything-and-everything.” How often do people assign star rankings to things that aren’t arts or consumables? (Consumer Reports gives star ratings to lots of stuff, though it’s always physical items available for purchase). We never officially decided on what constitutes “reviewable”, but being that we’ve reviewed Pluto’s demotion (those bastards) and thrown an ambitious amount of words towards reviewing the hype surrounding various media properties, we’re definitely keeping our options open. From the beginning, we’ve dreaded the dirty “B” word. Our site looks like many, many sites associated with the “movement” associated with the B word; our site runs the same software that is one of the most popular B word platforms, and the fact that we usually indignantly explain “it’s a website, not one of those” when people refer to it as our “BLOG” just serves to establish how much like a blog it is. Well, though we’re wont to admit it, at the end of the day, we’re really not too far removed from the “blogosphere” – we just avoid the “I feel bad today because” style rampant in most blogs. Likewise, it’s rare that we read a random article online then say, “I think I’m going to review that” the way that many people who have blogs write snippets of “I read this article and I think this about it.” Nate did a good job wrapping up the first batch of reviews we did. Though the writing in those first reviews had “voice”, the big picture aspects of the site were still up in the air. My first review (about a really long baseball game) didn’t really accomplish much, though it did help to establish the implicit theme of our reviews and how we think we’d like aim to separate from the “blogosphere”: as everyone who writes anything on the internet, we think that we offer something new and interesting that is unique to our site. You could find people talking about how long that baseball game was and how great it was, but no one saying “well, actually, the game wasn’t any good.” This led into our future reviews, where we’re pretty much the only people writing about the topics (verbally harassing horses, recaps of great football injuries, the myth of the Christmas season coming earlier every year [as opposed to the complaint that it does or doesn’t come earlier every year] etc.) That’s not to say we didn’t write about things that were more straight-forward as needed. When I had bad luck with Vonage and when Nate’s long distance provider didn’t see that anything was out of the ordinary when his long distance bill went up somewhere in the 900%+ range, reviews were written. There, the goal was to try to make our bad experiences in consumerism known and hopefully somewhat entertaining. After we had established the criteria for whether or not something was considered reviewable, we looked toward more “touchy-feely” sort of goals. Well, at least I did. I’m not sure what Nate’s goals have been. The shear size of the internet makes it so any schmuck can make any website about any thing. That’s widely understood, and that’s fine, but it also gives space for incredibly, well, passionate (for better or for worse) defenses or critiques of topics that go (rightly) ignored in the mainstream print media. Heck, even a devoted sneaker magazine such as Sole Collector probably wouldn’t devote 1600 words to the Oakley Twitch. Likewise, Entertainment Weekly would never run 3500 words about Scrubs (and rightly so). One of the first websites that took advantage of this freedom afforded by the internet was the movie news/rumors site Ain’t It Cool News; it didn’t create the mold, but it had a lot to do with shaping what people expect from the internet. Ain’t It Cool News still “works” as a website almost 10 years after its creation, but it would never work as a traditional magazine or even newspaper. As I’ve said before, I don’t believe in the community “power” of the internet, but I will stand behind the sense of community that it can create. Ain’t It Cool News is famous for its rumors and news, but what sets it apart from, say, Variety or Entertainment Weekly are the actual movie reviews. Needless to say, read Harry Knowles’ review of Clerks 2, then read the Variety review. They’re both positive, but the limitations of “traditional journalism” are evident. Sure, Knowles’ review is a bit fanboy-ish, but there’s something to be said about liking a movie, then seeing someone else on the internet go out of his way explaining how and why it is that good. Oddly, it’s re-affirming in some way to see that someone is as over-the-top positive for a movie (or CD, or pair of sneakers, or a Star Wars promo video). What brings it all back is that my goal has been to write reviews that people who already like something end up liking it more after they’ve read it. I guess that’s sort of a pretentious if not presumptuous opinion of my own work, but that’s my goal. As always, there have been humorous reviews sprinkled in within the more serious (the Chinese basketball game, verbally harassing horses, etc.), but by-and-large I yearn to educate. So, here’s a recap. I like how every single review (well except Nate’s U2/Green Day one) has a picture and funny caption. Nate’s Saving Silverman review has a good one, and I’m still fond of my “Nate Hates Christmas” when we were feuding over whether Christmas comes early every year or earlier every year. I like how pop-ins created an entirely new dynamic within the articles, allowing for jokes that are completely removed from the review itself (such as “HE HAD THE HIGH GROUND” in my Star Wars review. In terms of stuff liked enough to call out… how Nate combined historical revisionism in cartoons with a defense of Pluto’s planethood […]
What a literary prize!!! It’s interesting for the first 10 minutes, then, well, maybe it’s time to go to bed.Maybe I could get a job as your proofreader. What’s the pay?
Glad to see you’re still friends.
I do remember getting my touch football air being knocked out of me while playing with my brother and his friends! PF