That new U2/Green Day Song

I guess I just don’t understand the point. U2 needed a single for their approximately fifth greatest hits collection. Rather than come up with a really good song themselves, they enlisted the help of a band that while good, just doesn’t seem like the right fit with U2: Green Day. Not that Green Day can’t play, but the two bands’ styles are just a little too different to mesh collectively, not unlike that time where about 16 different musicians got up onstage at the Grammys and butchered Lennon/McCartney’s “Across the Universe”. Paul’s probably rolling in his grave. “route involving thoughtful lyrics about the condition of the area, or people’s struggles, they decided that the second half of the song should consist of the phrase “The Saints are Coming”, repteated over and over and over again, in a musical phrase that has definitely been taken from somewhere that I can’t quite place. They chose to debut this song at the reopening of the Superdome, for the Saints-Falcons Monday night game a few weeks ago, and it works perfectly as an opening theme song for the football team during games. I can’t imagine, however, that this song is going to be remembered at all in even one year’s time, and that’s a shame considering that this is all that two of the most prolific bands of the last 15 years could come up with. It’s almost like they weren’t trying.

They could very well have been trying something new though. This could be the start of product placement within the music industry. Well, I guess that’s not new” but maybe actually using the songs on the radio to promote something. It would be like the Eagles writing a song about how great the Philadelphia Eagles are, to get them pumped up, or AC DC writing a song for the Chargers (HA!), or Bad Company writing a song called “Bad Company” and using it at Enron meetings (BA-ZING).

And isn’t Bono’s thing Africa , anyway? Why didn’t they use the power of song to put together a group to raise funds for Africa “. Oh wait” I forgot” Well, why didn’t they do it again? A world-renowned, self-appointed ambassador to a far-off and underprivileged continent can’t be taking time away from that to help another cause, especially one that’s been nigh on forgotten by most of the world ( You know you’re lost in your own logic when you can’t tell if you’re being sarcastic or not). I mean, you don’t see Brangelina Polie out there helping America ‘s homeless people, or fighting drug abuse, or all the millions of issues people here face every day. And that’s because they have character. They know that if they multi-task, not only do run the risk of reducing the importance of their cause, but they also reduce the importance of other, more useless celebrities. By doing double duty (I said Doody!… I guess that doesn’t work as well when typed out) when it comes to activism, you’re the one putting Rob Scheider out of a job. It’s on your head Bono.

What was I talking about? Oh, this dumb song. Like I said, it may be good for the football team, but call me cold; I don’t really care about the Saints. It was nice to see them play well, but not nice enough for me to listen to an awful song that could’ve been better.

One star for trying to bring some attention back to New Orleans , and making a song that they’ll be playing forever at Saints games. Minus four stars for making the rest of us listen to it, and possibly starting a trend of individually-made rock songs for a specific sports team. The last thing we need is a re-made version of “Benny and the Jets” about New York’s lesser football squad. We already have to deal with that annoying J-E-T-S cheer. That should be enough.

[…] November 30th, 2006 Dan Though this was meant to correspond with Nate’s review of the first 100 reviews, schedules and, uh, not-feeling-like-it-at-the-moment-because-it’s-a-bit-daunting-of-a-task-itis, has delayed this “One Year Anniversary” review and pushed it into 13/14 months, but that’s fine by me. WARNING: Intense self-congratulation ahead. Nate’s recap covered things in a time-based manner, in fact you could almost call it a “temporal” recap. (HA!), so I’ll look at things a step back or so. Basically, this chart says that aside from people that randomly come across the site via search engines, a large portion of our readership seems to check back pretty regularly. When I had run the idea of a website by Nate, it was presented simply in a “wouldn’t it be funny if we reviewed anything-and-everything.” How often do people assign start rankings to things that aren’t arts or consumables? (Consumer Reports gives star ratings to lots of stuff, though it’s always physical items available for purchase). We never officially decided on what constitutes “reviewable”, but being that we’ve reviewed Pluto’s demotion (those bastards) and thrown an ambitious amount of words towards reviewing the hype surrounding various media properties, we’re definitely keeping our options open. From the beginning, we’ve dreaded the dirty “B” word. Our site looks like many, many sites associated with the “movement” associated with the B word; our site runs the same software that is one of the most popular B word platforms, and the fact that we usually indignantly explain “it’s a website, not one of those” when people refer to it as our “BLOG” just serves to establish how much like a blog it is. Well, though we’re wont to admit it, at the end of the day, we’re really not too far removed from the “blogosphere” – we just avoid the “I feel bad today because” style rampant in most blogs. Likewise, it’s rare that we read a random article online then say, “I think I’m going to review that” the way that many people who have blogs write snippets of “I read this article and I think this about it.” Nate did a good job wrapping up the first batch of reviews we did. Though the writing in those first reviews had “voice”, the big picture aspects of the site were still up in the air. My first review (about a really long baseball game) didn’t really accomplish much, though it did help to establish the implicit theme of our reviews and how we think we’d like aim to separate from the “blogosphere”: as everyone who writes anything on the internet, we think that we offer something new and interesting that is unique to our site. You could find people talking about how long that baseball game was and how great it was, but no one saying “well, actually, the game wasn’t any good.” This led into our future reviews, where we’re pretty much the only people writing about the topics (verbally harassing horses, recaps of great football injuries, the myth of the Christmas season coming earlier every year [as opposed to the complaint that it does or doesn’t come earlier every year] etc.) That’s not to say we didn’t write about things that were more straight-forward as needed. When I had bad luck with Vonage and when Nate’s long distance provider didn’t see that anything was out of the ordinary when his long distance bill went up somewhere in the 900%+ range, reviews were written. There, the goal was to try to make our bad experiences in consumerism known and hopefully somewhat entertaining. After we had established the criteria for whether or not something was considered reviewable, we looked toward more “touchy-feely” sort of goals. Well, at least I did. I’m not sure what Nate’s goals have been. The shear size of the internet makes it so any schmuck can make any website about any thing. That’s widely understood, and that’s fine, but it also gives space for incredibly, well, passionate (for better or for worse) defenses or critiques of topics that go (rightly) ignored in the mainstream print media. Heck, even a devoted sneaker magazine such as Sole Collector probably wouldn’t devote 1600 words to the Oakley Twitch. Likewise, Entertainment Weekly would never run 3500 words about Scrubs (and rightly so). One of the first websites that took advantage of this freedom afforded by the internet was the movie news/rumors site Ain’t It Cool News; it didn’t create the mold, but it had a lot to do with shaping what people expect from the internet. Ain’t It Cool News still “works” as a website almost 10 years after its creation, but it would never work as a traditional magazine or even newspaper. As I’ve said before, I don’t believe in the community “power” of the internet, but I will stand behind the sense of community that it can create. Ain’t It Cool News is famous for its rumors and news, but what sets it apart from, say, Variety or Entertainment Weekly are the actual movie reviews. Needless to say, read Harry Knowles’ review of Clerks 2, then read the Variety review. They’re both positive, but the limitations of “traditional journalism” are evident. Sure, Knowles’ review is a bit fanboy-ish, but there’s something to be said about liking a movie, then seeing someone else on the internet go out of his way explaining how and why it is that good. Oddly, it’s re-affirming in some way to see that someone is as over-the-top positive for a movie (or CD, or pair of sneakers, or a Star Wars promo video). What brings it all back is that my goal has been to write reviews that people who already like something end up liking it more after they’ve read it. I guess that’s sort of a pretentious if not presumptuous opinion of my own work, but that’s my goal. As always, there have been humorous reviews sprinkled in within the more serious (the Chinese basketball game, verbally harassing horses, etc.), but by-and-large I yearn to educate. So, here’s a recap. I like how every single review (well except Nate’s U2/Green Day one) has a picture and funny caption. Nate’s Saving Silverman review has a good one, and I’m still fond of my “Nate Hates Christmas” when we were feuding over whether Christmas comes early every year or earlier every year. I like how pop-ins created an entirely new dynamic within the articles, allowing for jokes that are completely removed from the review itself (such as “HE HAD THE HIGH GROUND” in my Star Wars review. In terms of stuff liked enough to call out… how Nate combined historical revisionism in cartoons with a defense of Pluto’s planethood […]

5 responses to “That new U2/Green Day Song”

Dan says:

October 20, 2006 at 9:41 am

“a musical phrase that has definitely been taken from somewhere that I can’t quite place” – I’m not sure if that’s a joke about When the Saints Go Marching In OR if it’s because the song is a cover of The Saints are Coming by a band from the late 70’s called The Skids.

Also, there was no picture in the review, and you definitely skimped on the categories. If you hear this review ringing, it’s because you really just phoned it in.
Nate Kapp says:

October 20, 2006 at 12:01 pm

The “Saints are Coming” comment brought Paul Revere to my mind.

then again, I’m always concerned that the British are coming to get me. crafty bastards.
nate says:

October 21, 2006 at 4:38 pm

First off, the comment wasn’t about When the Saints Go Marching in. I basically meant that the tune was incredibly familiar, and since I’ve never even heard of The Skids chances are that I’ve probably never heard their version before. I was merely referring to the fact that I recognized the tune of the song, but imagined that it had different words. I guess I should’ve done my research.

As far as picture and categories are concerned, I simply forgot. No excuses. I guess I did phone it in. Hopefully my ringtone is better than “The Saints are Coming”.
Dan says:

October 22, 2006 at 10:10 pm

That’s some nice categorizationizing.
Empty Bookshelf Reviews » 13 Months of Empty Bookshelf Reviews says:

November 30, 2006 at 11:14 pm

[…] November 30th, 2006 Dan Though this was meant to correspond with Nate’s review of the first 100 reviews, schedules and, uh, not-feeling-like-it-at-the-moment-because-it’s-a-bit-daunting-of-a-task-itis, has delayed this “One Year Anniversary” review and pushed it into 13/14 months, but that’s fine by me. WARNING: Intense self-congratulation ahead. Nate’s recap covered things in a time-based manner, in fact you could almost call it a “temporal” recap. (HA!), so I’ll look at things a step back or so. Basically, this chart says that aside from people that randomly come across the site via search engines, a large portion of our readership seems to check back pretty regularly. When I had run the idea of a website by Nate, it was presented simply in a “wouldn’t it be funny if we reviewed anything-and-everything.” How often do people assign start rankings to things that aren’t arts or consumables? (Consumer Reports gives star ratings to lots of stuff, though it’s always physical items available for purchase). We never officially decided on what constitutes “reviewable”, but being that we’ve reviewed Pluto’s demotion (those bastards) and thrown an ambitious amount of words towards reviewing the hype surrounding various media properties, we’re definitely keeping our options open. From the beginning, we’ve dreaded the dirty “B” word. Our site looks like many, many sites associated with the “movement” associated with the B word; our site runs the same software that is one of the most popular B word platforms, and the fact that we usually indignantly explain “it’s a website, not one of those” when people refer to it as our “BLOG” just serves to establish how much like a blog it is. Well, though we’re wont to admit it, at the end of the day, we’re really not too far removed from the “blogosphere” – we just avoid the “I feel bad today because” style rampant in most blogs. Likewise, it’s rare that we read a random article online then say, “I think I’m going to review that” the way that many people who have blogs write snippets of “I read this article and I think this about it.” Nate did a good job wrapping up the first batch of reviews we did. Though the writing in those first reviews had “voice”, the big picture aspects of the site were still up in the air. My first review (about a really long baseball game) didn’t really accomplish much, though it did help to establish the implicit theme of our reviews and how we think we’d like aim to separate from the “blogosphere”: as everyone who writes anything on the internet, we think that we offer something new and interesting that is unique to our site. You could find people talking about how long that baseball game was and how great it was, but no one saying “well, actually, the game wasn’t any good.” This led into our future reviews, where we’re pretty much the only people writing about the topics (verbally harassing horses, recaps of great football injuries, the myth of the Christmas season coming earlier every year [as opposed to the complaint that it does or doesn’t come earlier every year] etc.) That’s not to say we didn’t write about things that were more straight-forward as needed. When I had bad luck with Vonage and when Nate’s long distance provider didn’t see that anything was out of the ordinary when his long distance bill went up somewhere in the 900%+ range, reviews were written. There, the goal was to try to make our bad experiences in consumerism known and hopefully somewhat entertaining. After we had established the criteria for whether or not something was considered reviewable, we looked toward more “touchy-feely” sort of goals. Well, at least I did. I’m not sure what Nate’s goals have been. The shear size of the internet makes it so any schmuck can make any website about any thing. That’s widely understood, and that’s fine, but it also gives space for incredibly, well, passionate (for better or for worse) defenses or critiques of topics that go (rightly) ignored in the mainstream print media. Heck, even a devoted sneaker magazine such as Sole Collector probably wouldn’t devote 1600 words to the Oakley Twitch. Likewise, Entertainment Weekly would never run 3500 words about Scrubs (and rightly so). One of the first websites that took advantage of this freedom afforded by the internet was the movie news/rumors site Ain’t It Cool News; it didn’t create the mold, but it had a lot to do with shaping what people expect from the internet. Ain’t It Cool News still “works” as a website almost 10 years after its creation, but it would never work as a traditional magazine or even newspaper. As I’ve said before, I don’t believe in the community “power” of the internet, but I will stand behind the sense of community that it can create. Ain’t It Cool News is famous for its rumors and news, but what sets it apart from, say, Variety or Entertainment Weekly are the actual movie reviews. Needless to say, read Harry Knowles’ review of Clerks 2, then read the Variety review. They’re both positive, but the limitations of “traditional journalism” are evident. Sure, Knowles’ review is a bit fanboy-ish, but there’s something to be said about liking a movie, then seeing someone else on the internet go out of his way explaining how and why it is that good. Oddly, it’s re-affirming in some way to see that someone is as over-the-top positive for a movie (or CD, or pair of sneakers, or a Star Wars promo video). What brings it all back is that my goal has been to write reviews that people who already like something end up liking it more after they’ve read it. I guess that’s sort of a pretentious if not presumptuous opinion of my own work, but that’s my goal. As always, there have been humorous reviews sprinkled in within the more serious (the Chinese basketball game, verbally harassing horses, etc.), but by-and-large I yearn to educate. So, here’s a recap. I like how every single review (well except Nate’s U2/Green Day one) has a picture and funny caption. Nate’s Saving Silverman review has a good one, and I’m still fond of my “Nate Hates Christmas” when we were feuding over whether Christmas comes early every year or earlier every year. I like how pop-ins created an entirely new dynamic within the articles, allowing for jokes that are completely removed from the review itself (such as “HE HAD THE HIGH GROUND” in my Star Wars review. In terms of stuff liked enough to call out… how Nate combined historical revisionism in cartoons with a defense of Pluto’s planethood […]

That new U2/Green Day Song

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5 responses to “That new U2/Green Day Song”

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